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Blurred…

 I have been trying to write the review for Blurred, by San Francisco singer/songwriter Alex Wise for a few months now but can’t seem to finish it. This is difficult for me to say but I get about halfway through the process and find myself so homesick I just can’t continue.

The past few years have been full of change for us. We moved hundreds of miles away from our family, our friends and our home of many years. Our oldest has gone from a quirky teenager to almost an adult while her younger sister has gone from a barefoot baby in diapers to a little girl who will be starting school in the fall.

Say goodbye to Ponchatoula

Down the track, fall outta time

Say goodbye to Ponchatoula

Down the track, fall outta time

Sometimes I miss our old life. I miss my front porch swing and the feel of worn wood under my bare feet.  I miss the smell of honeysuckle in the spring and cape jasmine in the summer. I miss the sight of dogs and kids playing in the yard or a cat stretched out sleeping on a porch column base. I miss the sound of Kahuna rocking on the porch, picking a tune out by ear on his guitar. I miss Kahuna’s Mom, who passed away almost a year ago.

Throw a pebble in a stream

of a clouded memory

Syncopated in a tune

of a moon, cow, dish and spoon

My favorite song of the album is Ponchatoula. Not only does it have a haunting melody and beautiful lyrics, each word seems carefully chosen to evoke feeling and memory. Almost too well in my case.

 

 

This trend continues with Blurred (be the only thing that’s true) and the jazz-tinged Someone Else Like You (what’s past and gone may still be here with you) but the album is not all slow and wistful. Tracks Blame on my Shoulder and the bluesy Secrets both inject a little rock into the mix while the wonderfully cute Gonna Give it Back to Nature (or as Scooter and I like to call it - The Poor Worm Song) adds some whimsy to counter the heavier themes. Alex also does an amazing job on his cover of Steve Forbert’s Romeo’s Tune. I love the harmonica bits.

 

 

Whether it uplifts your spirits, stirs your anger or evokes sadness, music should make you feel. The songs on Blurred do that and so much more. This is a wonderful album and I highly recommend you all give it a listen.

 

Blurred is available in digital format from Amazon and Bandcamp and in CD format from his website and CD Universe.

You can check out Alex on his facebook page or on his website. Catch him on the air with Sea Change Radio or follow him on Twitter @SweetAl

- Kit

 

 

Arc & Stones…

Now that Scooter is back sleeping nights I proclaim this ’dig myself out from under the mountain of un-reviewed music‘ week.

Kicking off the week o’reviewing is Arc & Stones, the debut EP from Brooklyn band Arc & Stones. The guys are Dan Pellarin (vocals), Ben Cramer (guitar), Joe Doino (drums) and Eddy Bayes (bass).  I had the cool video for Silence up in the featured spot last month but I’ve popped it into the review for anyone that missed it the first time around.

 

 

My favorite track is She’s Mine because it’s loud.

No, seriously. It has slamming drums, gritty fuzzy guitars and a growl-y vocal delivery. Kind of like ’70′s ZZ Top with a little bit of Mr John Lee Hooker thrown in for fun. Oh, and did I mention it was LOUD?!

Rise is not quite as raw but it is still a good rock tune while Let Me Down seems a little out of place, not because it is quiet and mellow but because it sounds like it needs to be played acoustic on your front porch. It is a nice track, just different. Say Goodbye starts off all warm and cozy then explodes into another hard rocking number:

 

 

This is a great EP and you all should go and buy it now. Yes now. Or tomorrow when it releases. Hey, it is a couple of bucks and you get awesome music from a new band. There is no bad in this. Well, except for the waiting until tomorrow part.

 

Arc & Stones releases tomorrow, Feb 12, 2013 and is available in digital format from Amazon and Bandcamp. You can also check out the band on their facebook page or on their website and follow them on Twitter @ArcAndStones

- Kit

 

Telegraph Taboo…

So, I was in the mood for some blues and whoosh – blues appeared.

Other people get coupons, bills and news updates in the mail while I get blues music. Cool new blues music in the form of the debut release Telegraph Taboo from the Chicago-based band Nick and the Ovorols.

This is not a pretty album. The vocals on a few tracks come in a bit low, there’s some distortion in a few places (okay - lots of distortion) and extra grit and fuzz in the guitars. All those imperfections combine to give the album a raw, almost live sound. It’s loud and messy and grungy and so very, very good.

My favorite is the screaming, pounding, rocking Honey, Please -

You said boy I’ll make you happy
Oh just give me one good chance
I told you once before
I ain’t gonna do this dance -

I also like Take the V Train with it’s heavy guitars and Bad Company feel, and the blues-y Heed My Words:

 

 
 

The only track I didn’t really care for was Hey, Mr President but I’ll be honest and say my dislike stems from political reasons, not musicial ones.

Taken as a whole Telegraph Taboo is a solid debut and worth buying. If you all need to hear a bit more you can stream the album from the bands’ website, from amazon or from itunes.

Carlos Showers (guitar),Vic Jackson (bass), Nick Peraino (vocals, guitar), Lance Lewis (drums)

 

Telegraph Taboo releases tomorrow, January 22, 2013 and is available in digital format from Amazon and iTunes and in digital and CD format from the Nick and the Ovorols website. You can also check out the band on their facebook page and follow them on Twitter @ovorols

- Kit

Death Letter Jubilee…

I’m making beef and barley stew today and listening to Death Letter Jubilee, the debut release from The Delta Saints. When I started the review I seriously considered just writing ‘Harmonica! Resonator! Suspenders!’ and being done with the post. Since I do understand not everyone is nuts for  suspenders, I’ll add a few things about the music as well.

The Delta Saints are Ben Ringel on vocals and dobro, Benjamin Azzi on drums, David Supica on bass, Dylan Fitch on guitar and Steven Hanner on harmonica.

(my best guess without the liner notes)

They call their music ‘bayou rock’ and it has a cool rock with blues with (a little) country sound. My favorites are Liar, (the track may be slow to load)

 

 

Jezebel for the stripped down sound and drum heavy beat, Out to Sea with it’s beautiful harmonica and haunting lyrics, and Death Letter Jubilee, a fairly upbeat and fun tune for a song about dancing on graves -

 

 

This is a nice set of  tracks for a debut album and well worth the money. You can pick Death Letter Jubilee on Amazon or iTunes (both have previews of the track list) or from The Delta Saints website. You can also check out the bands’ Facebook page or follow them on Twitter @TheDeltaSaints.

- Kit

What We Could Be…

Sometimes a girl needs to rock. She needs guitars that make her scream, drums that give her a danceable beat, a bass that digs so far inside her bones they vibrate in time and a sexy voice that already knows what she’s doin’ after the show.  She needs a rock band.

Cue The Amends.

Their second full length album, What We Could Be, is a meld of rock and other musical influences that come together in a cool layered sound, kind of like someone crossed INXS with Joe South and then slipped in a little punk while no one was looking.

My favorites are Come and See, for reasons I won’t mention because I really try to keep a PG rating on the blog, Big City Way for the epic clashing guitar-keyboards-drums ending and A Certain Speed for it’s awesome punk driven guitars.  I also like, oh, everything else on the album.

You all should go and buy this album.  Seriously, like right now. If you need a little more to go on, check out the full preview of What We Could Be below:

 

 

In addition to the new album, I am also stoked because Tyler and Drew (Tyler Taylor, Drew Weikart) were nice enough to take some time and answer a few of my questions.

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Kit - I hear a lot of different musical influences in your songs. What bands would you all list as your biggest influences?

DREW : In general, mostly blues and classic rock, but some newer indie stuff, too. Rolling Stones, Black Keys, RHCP, The Strokes, Chuck Berry, My Morning Jacket, Hendrix, Stevie Ray Vaughn.

TYLER : Weirdly, in many ways my all-time favorite bands and my main influences are different. I can’t say my absolute favorites– like Radiohead and Bob Dylan for example– much influence the songs that I write. I couldn’t even begin to write songs like them. That’s a non-answer, I know. So in general, I’m influenced by indie rock and classic rock. Classic rock is where Drew and my tastes really overlap, and then he brings the blues influence and I bring the indie rock side.

Kit - You guys have been very open about your creative process with your fans – even to releasing unfinished versions of your songs and asking for feedback. Is it hard to give people outside the band input on your songs?

TYLER and DREW : It’s not hard, because we’re not beholden to take every piece of advice we hear. But it’s sometimes good to be able to step outside ourselves, and see what other people think, to get an outside perspective. Sometimes we think we have something good, but we’re too close to it, and we can’t be sure. Sometimes people tell us we’re crazy. The music industry is obviously kind of a mess these days– a lot of it due to new technology. But there are advantages that technology brings as well, one of them being the ability to connect directly with fans. Another invaluable one for us is the ability– if we want to– to record pretty much everything we do, every practice, every writing session. In some ways it makes us lazy, but in other ways it allows us to always be able to go back and find that what snippet of a song we played that we forgot.

Kit - You guys (Tyler and Drew) have two very different voices. How do you decide who will sing any given song?

TYLER : After our last album, Drew and I talked about trying to nail down an “Amends song (or sound)”. We love rock n roll of all kinds, so it was hard to focus on a certain kind of sound. But we knew that we’d have to do that at least to some extent in order for people to know what we’re about. And one thing we decided that would help that was for Drew to be the sole lead singer– keep that sound cohesive at least. I do a bit of backup still. And besides, I secretly kind of dislike singing if I’m being honest, especially in front of other people.

KitWhich song (or songs) do you guys enjoy playing live the most?

DREW : The ones that are more Rock/Blues rock.  I feed off of higher energy live, and also when I can let loose on guitar. I sometimes find myself dreading performing the slower songs, but when we get through a few, and I know rock ones are coming up, I get a feeling of excitement and relief. I love the slower ones on our albums, but when we do them live, sometimes it feels like they can take away some of the energy. A lot of them start slow and build and we have to figure out how to work those kind in.

Kit – What do you guys do when you aren’t playing or writing songs?

DREW : I listen to music. I drink. I work. I watch movies and I play and watch sports.  It seems simple, but there is alot of excitement that comes from that. Except for work.

TYLER : Unfortunately, for the time being, we both have day jobs. But besides that, I write a lot. I write fiction in addition to music. I travel a lot– which you can kind of see in that video for A Certain Speed. Hiking, backpacking, and other typical Colorado stuff. I love scuba diving too, but I obviously don’t get to do that too much here. And I’m a huge St Louis Cardinals fan, ever since I was a kid.

KitIt’s a brand new year and a brand new album – What are you guys looking forward to in 2013?

TYLER: We’re working on putting together our first tour right now. If that’s successful, we’ll do another. We hope to start writing some new songs again soon. And beyond that, we just want to try to get our music out to as many people as possible.

DREW: We are looking forward to taking our music career to the next level.  It’s our passion, it’s what we want to do, but we feel stuck in the circle of working our day jobs, while also trying to be musicians, and ultimately that doesn’t work. So we want to break out of that. Make the leap.

Shay, Drew, Chris and Tyler

 

What We Could Be releases today, January 8, 2013 and is available in digital or CD from Bandcamp or from The Amends website. You can also check out the band on their Facebook page and follow them on Twitter @TheAmendsBand

 -Kit

Superdead…

I have been a fan of The Record Company ever since I heard Bryan Childs spin a track of theirs on Ninebullets radio.   Chris Vos, Alex Stiff and Marc Cazorla play a cool sound that is part rockabilly, part rhythm and blues and all great music.

This past July they released their debut EP, Superdead. I went back and forth on what kind of review to write and finally decided to let the band and their music do most of the talking.

 

 

My favorites are, well all of them. I like the guitars, the drums and I will never say no to more bass. From the rockin’ beat of Don’t Let me Get Lonely to the gritty drums of Medicine Man and all the way to the soulful This Crooked City  – this is awesome music.

Check out this video for Don’t Let Me Get Lonely -

 

 

The new EP is available to download for free over on bandcamp or from a link on the band’s website. They also have some nice vinyl for sale.

(The This Crooked City/Tallahassie Lassie limited edition 45 has me considering picking up a turntable)

You can like the guys on their Facebook page and follow them on Twitter @therecordcomp.

- Kit

The Week in Music…Blogs – July 21 to July 27, 2012

I pretend this is moment Jimmy read my tweet.

Last night I watched the StageIt concert with Jimmy Buffett and it was so very cool.

The StageIt crew (along with Evan Lowenstein) set up in Jimmy’s dressing room at Comerica Park in Detroit.

Mike Utley hung out and Matt Hoggatt showed up to sing one of his songs.

Jimmy sang Tin Cup Chalice and Boat Drinks. He also read tweets aloud as they went by and now everyone watching knows I was eating soup right before the show.

( I didn’t know Jimmy would see the pre-show tweets or I would have, you know, sent something clever or cool…or just not weird)

The show was a lot of fun and Jimmy raised over 20,000 for charity. Yea!

In the world of music blogs -

Emma Warren from Music and Words by Emma Warren described the opening ceremonies of the London 2012 Olympics and went over a good bit of the music played for the event.

Eddie Baranak from The Sights is keeping a tour diary.  His latest entry has quite a few photos and general ‘on the road’ stuff.

American Blues Scene interviewed Big Llou Johnson on his new album, They Call Me Big Llou, his acting, B.B. King, the Just Blues Music Awards and his radio and announcing work. The entire interview is available to steam from the site as a podcast.

Autopsy IV from ninebullets.net asks the readers to Gimme Your Top 5 Of The First Half Of 2012 and also lists his choices.

Rachel from Adobe and Teardrops interviewed singer/songwriter Hannah Aldridge on her music, her family and her new EP, Wanderer. Rachel also streamed two tracks from the EP.

I am going to finish up with the new Gaslight Anthem vid:

 

 
 
 

- Kit

The Week in Music Blogs – July 7 to July 13, 2012

Okay, had my coffee, ready to get to work.

In No ‘Rest’ for the Working Man, Steve Wildsmith from The Daily Times (Blount Co. TN) interviewed Jason Isbell.

Blues guitarist Cary Morin updated his blog, Open Mic Odyssey, with an entry about his west coast tour.

Peter Parcek added another installment to his Unsung Heroes of the Blues Guitar series. This week he profiled Muddy Waters’ guitarist Sammy Lawhorn and shared a couple of videos.

AutopsyIV reviewed Look Out Mama, the new Hurray for the Riff Raff release and streamed several tracks from the album.

 

 

Chuck Dauphin over on Billboard reviewed Uncaged, the new release from the Zac Brown Band. He also tossed up a couple of vids for the album tracks. (as of this morning two had been pulled from you tube by Warner Music Group but one is still available to view)

In more Billboard-esque related news, Ed Christman wrote about the digital music pricing wars presently going on between Amazon, iTunes and Google and the effect those wars are having on the Billboard charts.

Michael Barwise from Michael’s Music Madness has his own radio show. He wrote about it and his other work at Hospital Radio.

Finally, check out #Rock Out With Your #Folk Out Press, which is kind of a daily music news aggregate helmed by singer/songwriter Corey Koehler.

That is it for me this time around.  I have been fighting a killer cold all week and am ready to just crash on the couch and play Dawnguard. As always, if I missed your blog or you have a link to share please send me a quick email or leave your addy and info down in the comments section.

- Kit

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